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Tomoko Sawada
is a Japanese contemporary feminist photographer.〔Reilly, Maura, and Linda Nochlin. "Contemporary Japanese Women's Self-Awareness." Global Feminisms: New Directions in Contemporary Art. London: Merrell, 2007. 97-105. Print.〕
==Life and work==
Sawada graduated in 1998 with a degree in Media Design, then later in 2000 with a degree in Photography from the Seian University of Art and Design in Otsu, Shiga, Japan. Her works of art include, ''ID-400'', ''OMIAI♡'', ''Costume'', and ''Schoolgirls''. The theme of her work is to showcase human identity and women's roles through the Japanese culture.〔"Tomoko Sawada." Zabriskie Gallery. Zabriskie Gallery, 2014. Web. 14 Apr. 2014.〕〔Matsui, Midori. ("The Artists to Watch." ) MasterFILE Premier. EBSCO, June 2005. Web. 14 Apr. 2014.〕
Sawada uses photography and techniques of performance art to explore ideas of identity, status, culture, individualism, and conformity through traditional and contemporary cultural methods of portraiture. Sawada's photographs are each part of a themed photo series in which she makes use of make-up and costume to dramatically alter her identity, such that each photograph appears to represent a different individual or group of individuals, when all subjects are Sawada herself. Sawada uses commercial photographers, photo booths, and her own studio environment with digital photo editing to represent hundreds of different identities. Her use of costume for altering her appearance for self-portraiture draws from the work of Cindy Sherman, but Sawada's work explores questions of personality as represented by outward appearance framed by Japanese cultural responses to gender, occupations, and social stereotypes.〔(【引用サイトリンク】url=http://www.zabriskiegallery.com/artist.php?artist=8&page=12 )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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